This is an analysis of the poem Ch 03 On The Excellence Of Contentment Story 16 that begins with:
Moses, to whom be salutation, beheld a dervish who had on account of his nudity concealed himself in the sand exclaiming: ‘O Moses, utter a...
Elements of the verse: questions and answers
The information we provided is prepared by means of a special computer program. Use the criteria sheet to understand greatest poems or improve your poetry analysis essay.
- Rhyme scheme: X aXXX X XXXXXaaXX
- Stanza lengths (in strings): 1,4,1,9,
- Closest metre: trochaic pentameter
- Сlosest rhyme: no rhyme
- Сlosest stanza type: sonnet
- Guessed form: rondeau
- Metre: 1001010001001011101001000101001010110100100001011011101001111010101101001010010011010101001110011101010100101010101011010101101101011110010111001010001010 00101011 111010100101 0110110110110 10101101001 10100001010010101110010011 11111001011 1111011011101001 10110011001011 011010001001 1110101010101 11001101011 01001011001010110101 1111111 11010011110
- Amount of stanzas: 4
- Average number of symbols per stanza: 352
- Average number of words per stanza: 60
- Amount of lines: 15
- Average number of symbols per line: 95 (very long strings)
- Average number of words per line: 16
Mood of the speaker:
The punctuation marks are various. Neither mark predominates.
The author used lexical repetitions to emphasize a significant image; of, on, to, moses, and, that, he, dervish are repeated.
If you write a school or university poetry essay, you should Include in your explanation of the poem:
- summary of Ch 03 On The Excellence Of Contentment Story 16;
- central theme;
- idea of the verse;
- history of its creation;
- critical appreciation.
Good luck in your poetry interpretation practice!
Pay attention: the program cannot take into account all the numerous nuances of poetic technique while analyzing. We make no warranties of any kind, express or implied, about the completeness, accuracy, reliability and suitability with respect to the information.
More information about poems by Saadi Shirazi
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