"Like clouds o'er the South are the nations who reign
On fair islands that we would command;
But clouds that are darker and denser than these
Have sailed from an Isle in the Northern Seas
And rest on our Southern Land.

Low in dust is our Goddess of Liberty hurled
At our feet, and the time is at hand,
When we, the proud sons of the southern world,
Beneath a proud banner of freedom unfurled
And true to each other shall stand.

If e'er in the ranks of the Right we advance;
Though our enemies come like a flood,
We'll meet them like lions, aroused from our trance,
And show that a streak of the Olden Romance
Still runs in our commonplace blood.

The Free-Selector's Daughter


I met her on the Lachlan Side --
A darling girl I thought her,
And ere I left I swore I'd win
The free-selector's daughter.

I milked her father's cows a month,
I brought the wood and water,
I mended all the broken fence,
Before I won the daughter.

I listened to her father's yarns,
I did just what I `oughter',
And what you'll have to do to win
A free-selector's daughter.

I broke my pipe and burnt my twist,
And washed my mouth with water;
I had a shave before I kissed
The free-selector's daughter.

Then, rising in the frosty morn,
I brought the cows for Mary,
And when I'd milked a bucketful
I took it to the dairy.

I poured the milk into the dish
While Mary held the strainer,
I summoned heart to speak my wish,
And, oh! her blush grew plainer.

I told her I must leave the place,
I said that I would miss her;
At first she turned away her face,
And then she let me kiss her.

I put the bucket on the ground,
And in my arms I caught her:
I'd give the world to hold again
That free-selector's daughter!

The Men Who Stuck To Me

They were men of many nations, they were men of many stations,
They were men in many places, and of high and low degree;
Men of many types and faces, but, alike in all the races,
They were men I met in trouble, and the men who stuck to me.
Some were friends, but most were strangers; some were weary world-wide rangers;
Some in freedom were in prison, and in prison some were free,
Oh, I have a vivid vision of the men I met in prison—
In the craving for tobacco they were men who stuck to me.

Some I never met and never knew their great but vain endeavour,
For my sake! And some were old mates whom I never more may see;
Never heard me, some I talked with; never saw me, some I walked with;
Blind and deaf, and dumb and foreign were the men who stuck to me.

“Yes, I’ll stick!” the words most human, be the trouble man or woman;
Stick with money or without it, and whoever you may be;
Right or wrong—in drink or sadness—“stick” in sanity or madness—
Such as these, the men I stuck to, and the men who stuck to me.

Ah! we see not in our blindness that the world is full of kindness,
Kindness to make full atonement for all evil that there be;
Oh! my life was deadly fateful, but my heart was always grateful,
And I send this song at Christmas to the men who stuck to me.

The Pavement Stones :A Song Of The Unemployed

WHEN first I came to town, resolved
To fight my way alone,
No prouder foot than mine e’er trod
Upon the pavement stone;
But I am one in thousands,
And why should I repine?
The pavement stones have broken springs
In stronger feet than mine.

I brought to aid me all the hope
And energy of youth;
And in my heart I felt the strength
Of plain bucolic truth:
The independence nourished
Amid the hills and trees—
But, ah! the city hath a cure
For qualities like these.

I wonder oft how e’er I made
The efforts that I made,
For after three long weary years
I taught myself a trade.
And two more years and I was free
With strength and hope elate,
For “he that hath a trade,” they say,
“Hath also an estate.”

I tramped the streets and looked for work
And begged for work in vain,
Until I recked not, though I ne’er
Might touch my tools again.
I tramped the streets despairing;
My cheeks grew white and thin;
I felt the pavement wearing through
The leather, sock, and skin.

The bitter war goes on between
The idlers and the drones,
Until the hearts of men grow cold
And hard as pavement stones;
But I am one amid the crowd,
Then why should I repine?
The pavement stones have broken springs
In stronger feet than mine.

Freedom On The Wallaby

Australia's a big country
An' Freedom's humping bluey,
An' Freedom's on the wallaby
Oh! don't you hear 'er cooey?
She's just begun to boomerang,
She'll knock the tyrants silly,
She's goin' to light another fire
And boil another billy.

Our fathers toiled for bitter bread
While loafers thrived beside 'em,
But food to eat and clothes to wear,
Their native land denied 'em.
An' so they left their native land
In spite of their devotion,
An' so they came, or if they stole,
Were sent across the ocean.

Then Freedom couldn't stand the glare
O' Royalty's regalia,
She left the loafers where they were,
An' came out to Australia.
But now across the mighty main
The chains have come ter bind her –
She little thought to see again
The wrongs she left behind her.

Our parents toil'd to make a home –
Hard grubbin 'twas an' clearin' –
They wasn't crowded much with lords
When they was pioneering.
But now that we have made the land
A garden full of promise,
Old Greed must crook 'is dirty hand
And come ter take it from us.

So we must fly a rebel flag,
As others did before us,
And we must sing a rebel song
And join in rebel chorus.
We'll make the tyrants feel the sting
O' those that they would throttle;
They needn't say the fault is ours
If blood should stain the wattle!

Shrivelled leather, rusty buckles, and the rot is in our knuckles,
Scorched for months upon the pommel while the brittle rein hung free;
Shrunken eyes that once were lighted with fresh boyhood, dull and blighted—
And the sores upon our eyelids are unpleasant sights to see.
And our hair is thin and dying from the ends, with too long lying
In the night dews on the ashes of the Dry Countree.
Yes, we’ve seen ’em ‘bleaching whitely’ where the salt-bush sparkles brightly,
But their grins were over-friendly, so we passed and let them be.
And we’ve seen them ‘rather recent,’ and we’ve stopped to hide ’em decent
When they weren’t nice to handle and they weren’t too nice to see;
We have heard the dry bones rattle under fifteen hundred cattle—
Seen the rags go up in dust-clouds and the brittle joints kicked free;
But there’s little time to tarry, if you wish to live and marry,
When the cattle shy at something in the Dry Countree.

No, you needn’t fear the blacks on the Never Never tracks—
For the Myall in his freedom’s an uncommon sight to see;
Oh! we do not stick at trifles—and the trackers sneak their rifles,
And go strolling in the gloaming while the sergeant’s yarning free:
Round the Myalls creep the trackers—there’s a sound like firing crackers
And—the blacks are getting scarcer in the Dry Countree.
(Goes an unprotected maiden-’cross the clearing carrion-laden—
Oh they ride ’em down on horseback in the Dry Countree.)

But you don’t know what might happen when a tank is but a trap on
Roofs of hell, and there is nothing but the blaze of hell to see;
And the phantom water’s lapping—and no limb for saddle-strapping—
Better carry your revolver through the Dry Countree.
But I’m feeling gay and frisky, come with me and have a whisky!
Change of hells is all we live for (that’s my mate that’s got D.T.);
We have fought through hell’s own weather, he and I and death together—
Oh, the devil grins to greet us from the Dry Countree!

When you see a man come walking down through George Street loose and free,
Suit of saddle tweed and soft shirt, and a belt and cabbagetree,
With the careless swing and carriage, and the confidence you lack—
There is freedom in Australia! he’s a man that’s clinging back.
Clingin’ back,
Holdin’ back,
To the old things and the bold things clinging back.
When you see a woman riding as I saw one ride to-day
Down the street to Milson’s Ferry on a big, upstanding bay,
With her body gently swaying to the horse-shoes’ click-a-clack,
You might lift your hat (with caution)—she’s a girl who’s clinging back.
Clinging back,
Swinging back.
To the old things and the bold things clinging back.

When you see a rich man pulling on the harbour in a boat,
With the motor launches racing till they scarcely seem to float,
And the little skiff is lifting to his muscles tense and slack,
You say “Go it” to a sane man. He’s a man that’s clinging back.
Clinging back,
Swinging back,
To the old things and the bold things clinging back.

When you see two lovers strolling, arm-in-arm—or round the waist,
And they never seem to loiter, and they never seem to haste,
But indifferent to others take the rock or bush-hid track
You be sure about their future, they’re a pair that’s clinging back.
Clinging back,
Holding back,
To the old things and the bold things clinging back.

I, a weary picture writer in a time that’s cruel plain,
Have been clinging all too sadly to what shall not come again,
To what shall not come and should not! for the silver’s mostly black,
And the gold a dull red copper by the springs where I held back.
Clinging back,
Holding back,
To the old things and the cold things clinging back.

But if you should read a writer sending truths home every time,
While his every “point” goes ringing like the grandest prose in rhyme,
Though he writes the people’s grammar, and he spreads the people’s “clack,”
He is stronger than the Public! and he’ll jerk the mad world back.
Yank it back,
Hold it back,
For the love of little children hold it back.

The Drums Of Battersea

They can’t hear in West o’ London, where the worst dine with the best—
Deaf to all save lies and laughter, they can’t hear in London West—
Tailored brutes and splendid harlots, and the parasites that be—
They can’t hear the warning thunder of the Drums of Battersea.
More drums! War drums!
Drums of Misery—
Beating from the hearts of men—the Drums of Battersea.
Where the hearses hurry ever, and where man lives like a beast,
They can feel the war-drums beating—men of Hell! and London East.
And the far-off foreign farmers, fighting fiercely to be free,
Found new courage in the echo of the Drums of Battersea.
More drums! War drums!
Beating for the free—
Beating on the hearts of men—the Drums of Battersea.

And the drummers! Ah! the drummers!—stern and haggard men are those
Standing grimly at their meetings; and their washed and mended clothes
Speak of worn-out wives behind them and of grinding poverty—
But the English of the English beat the Drums of Battersea!
More drums! War drums!
Drums of agony—
The big bruised heart of England’s in the Drums of Battersea.

Where in fields slave Englishwomen, Oh! the sound of drums is there:
I have heard it in the laughter of the nights of Leicester Square—
Sailing southward with the summer, London but a dream to me,
Still I feel the distant thunder of the Drums of Battersea!
More drums! War drums!
Drums of Liberty—
Rolling round the English world—the Drums of Battersea.

Oh! I heard them in the Queen’s Hall—aye! and London heard that night—
While we formed up round the leaders while they struck one blow for right!
And the old strength, that old fire, that I thought was dead in me,
Blazed up fiercely at the beating of the Drums of Battersea!
More drums! War drums!
They beat for victory—
When above the roar of Jingoes rolled the Drums of Battersea.

And where’er my feet may wander, and howe’er I lay my head,
I shall hear them while I’m dreaming—I shall hear them when I’m dead!
For they beat for men and women, beat for Christ, and you and me:
There is hope and there is terror in the Drums of Battersea!
More drums! War drums!
Drums of destiny—
There’s hope!—there’s hope for England in the Drums of Battersea.

The Prime Of Life

OH, the strength of the toil of those twenty years, with father, and master, and men!
And the clearer brain of the business man, who has held his own for ten:
Oh, the glorious freedom from business fears, and the rest from domestic strife!
The past is dead, and the future assured, and I’m in the prime of life!

She bore me old, and they kept me old, and they worked me early and late;
I carried the loads of my selfish tribe, from seven to thirty eight:
I slaved with dad, in the dust and heat, that my brothers might enjoy—
But I rest to-day in the prime of life, and I’ll live and die a boy!

When the last crop failed, and the stock were gone, did the old man’s head go down?
No! he started business, on what was left, in the produce line in town.
They sent my brothers to boarding schools, when our way to the front we’d won—
They’d borrow, and borrow, but never had aught but contempt for the eldest son.

My brothers they went to the world away, and they left the home in strife.
They sowed wild oats in the pride of youth, and they pawned the prime of life.
They sowed too fast, and they sowed too far; and they came back one by one—
You couldn’t tell which is the eldest son and which is the youngest son.

Oh, I longed for a love that I could not claim, and a breath of the youth denied—
But I stuck to the store when the old man went, and the mater until she died:
With Job’s own sister and Satan’s aunt—good Lord! and the fiend’s own wife—
But I’m free of them now, it is no matter how, and I’m in the prime of life.

My brothers have turned respectable, and are steady as men can be:
The youngest and worst is a leading light—and he aims at reforming me!
But I lend and help, and I’ll fix them up, for I can’t but see with a sigh,
That the youngest, who left us a handsome boy, is an older man than I.

But it’s “Lord make us thankful” three times a day, before they eat their fill—
They can thank the Lord if they like, I say, but I reckon I pay the bill.
They feel independent, I’m glad to know, for if all I hear is true,
My brothers agree that I do no more than I have a right to do.

They’ll work in the store while I see the world, and I’ll let them share the till—
But I sail to-day, for a year away, to go wherever I will:
I sail with the woman who waited for me—old sweetheart; and brand new wife—
She is handsome and true, and she’s thirty-two—and I’m in the prime of life.

For Capetown, and London, and Norraway, for Germany, Holland, and France,
For Switzerland, Italy—anywhere—for Greece, and for Egypt a glance,
For India, China, and “strange Japan”, for the East with mystery rife—
I have made enough, and I have my love—and I’m in the prime of life!

Bound For The Lord-Knows-Where

'Where are you going with your horse and bike,
And the townsfolk still at rest?
Where are you going, with your swag and pack,
And the night still in the West?
Your clothes are worn, and your cheques are gone,
But your eyes are free from care?”
“We’re bushmen down for a spree in town,
And we’re bound for the Lord-knows-where,
Old chap—we’re bound for the Lord-knows-where.”

(There are great dark scrubs in the Lord-knows-where,
Where they fight it out alone,
There are wide wide plains in the Lord-knows-where,
Where a man’s soul is his own.
There is healthy work, there is healthy rest,
There is peace from self-torture there,
And the glorious freedom from paltriness!
And they’re bound for the Lord-knows-where.)

“Now, where are you going in your Sunday suit,
And a bag for your second best?
Now where are you going with your chest of tools,
And the old togs in the chest?
With your six clean shirts and a pound of ‘weed’,
And enough for a third-class fare?”
“Oh! I’ll be afloat by the very next boat,
And I’m bound for the Lord-knows-where,
Old chap—I’m bound for the Lord-knows-where.”

(There are wide wide seas to the Lord-knows-where,
Where a man might have a spell,
The things turn up in the Lord-knows-where that
We waited for too well.
There’s a stranger land in the Lord-knows-where,
And a show for the stranger there.
There is war and quake more work to make,
And he’s bound for the Lord-knows-where.)

“Now where are you going with your Gladstone bag,
With your shirt-case and valise?
Now where are you going with your cap and shoes,
And your looks of joyful peace?
Now where are you going with your money belts,
And your drafts on the first bank there?”
“’We have made a hit,’ or ‘we’ve made a bit,’
And we’re bound for the Lord-knows-where,
Old chap—we’re bound for the Lord-knows-where.”

(There are sinful ports in the Lord-knows-where,
There are marvellous sights to see,
There are high old games in the Lord-knows-where,
That were known to you and me.
There is love and music, and life and light from
The Heads to “Lester” Square,
There is more than space for their high young hearts
There is safety or danger there,
And they’ll come back wild, or they’ll come back tamed
When they’ve been to the Lord-knows-where.)

“Now where am I going with my whisky flask,
And with little else beside?
Now where am I going with my second shirt,
To wear while the first is dried?
I have marred my name, and I’ve lost my fame,
But my hope’s in good repair.
There are lies about, there are warrants out—
And I’m bound for the Lord-knows-where,
Old Chap—and I’m bound for the Lord-knows-where.”

(There’s a rise and fall of the sloping decks,
That is good for a soul in pain;
There’s the drowsy rest on the sunlight sea
Till your strength comes back again.
Oh, the wild mad spirit is hypnotized,
And nerves are tranquil there,
And the past is hushed in forgetfulness,
On the road to the Lord-knows-where.)

The Iron Wedding Rings

In these days of peace and money, free to all the Commonweal,
There are ancient dames in Buckland wearing wedding rings of steel;
Wedding rings of steel and iron, worn on wrinkled hands and old,
And the wearers would not give them, not for youth nor wealth untold.

In the days of black oppression, when the best abandoned hope,
And all Buckland crouched in terror of the prison and the rope,
Many fair young wives in Buckland prayed beside their lonely beds
For the absent ones who knew not where to lay their outlawed heads.

But a whisper went through Buckland, to the rebels only known,
That the man across the border had a chance to hold his own.
There were men that came in darkness, quiet, grim and travel-worn,
And, by twos, and threes, the young men stole away to join Kinghorn.

Slipping powder-horns and muskets from beneath the floors and thatch,
There were boys who kissed their mothers ere they softly dropped the latch;
There were hunters' wives in backwoods who sat strangely still and white
Till the dawn, because their men-folk went a-hunting in the night.

But the rebels needed money, and so, through the Buckland hills,
Came again, by night, the gloomy men of monosyllables;
And the ladies gave their jewels to be smuggled out and sold,
And the homely wives of Buckland gave their wedding rings of gold.

And a Buckland smith in secret, and in danger, in his shed
Made them rings of baser metals (from the best he had, to lead),
To be gilt and worn to market, or to meetings where they.prayed,
Lest the spies should get an inkling, and the husbands be betrayed.

Then a silence fell on Buckland; there was peace throughout the land,
And a loyalty that puzzled all the captains in command;
There was too much Law and Order for the men who weren't blind,
And the greatest of the king's men wasn't easy in his mind.

They were hunting rebels, certes, and the troops were understood
To be searching for a stronghold like a needle in a wood;
But whene'er the king was prayed for in the meeting-houses, then
It was strange with how much unction ancient sinners cried "Ah-men!"

Till at last, when all was quiet, through the gloomy Buckland hills
Once again there came those furtive men of monosyllables;
And their message was – "Take warning what the morrow may reveal,
Death and Freedom may be married with a wedding ring of steel."

In the morning, from the marshes, rose the night-mist, cold and damp,
From the shipping in the harbour and the sleeping royal camp;
From the lanes and from the by-streets and the high streets of the town,
And above the hills of Buckland, where the rebel guns looked down.

And the first one sent a message to the camp to fight or yield,
And the wintry sun looked redly on a bloody battlefield;
Till the man from 'cross the border marched through Buckland once again,
With a charter for the people and ten thousand fighting men.

There are ancient dames in Buckland with old secrets to reveal,
Wearing wedding rings of iron, wearing wedding rings of steel;
And their tears drop on the metal when their thoughts are far away
In the past where their young husbands died on Buckland field that day.

A Word To Texas Jack

Texas Jack, you are amusin’. By Lord Harry, how I laughed
When I seen yer rig and saddle with its bulwarks fore-and-aft;
Holy smoke! In such a saddle how the dickens can yer fall?
Why, I seen a gal ride bareback with no bridle on at all!
Gosh! so-help-me! strike-me-balmy! if a bit o’ scenery
Like ter you in all yer rig-out on the earth I ever see!
How I’d like ter see a bushman use yer fixins, Texas Jack;
On the remnant of a saddle he can ride to hell and back.
Why, I heerd a mother screamin’ when her kid went tossin’ by
Ridin’ bareback on a bucker that had murder in his eye.
What? yer come to learn the natives how to squat on horse’s back!
Learn the cornstalk ridin’! Blazes!—w’at yer giv’n’us, Texas Jack?
Learn the cornstalk—what the flamin’, jumptup! where’s my country gone?
Why, the cornstalk’s mother often rides the day afore he’s born!

You may talk about your ridin’ in the city, bold an’ free,
Talk o’ ridin’ in the city, Texas Jack, but where’d yer be
When the stock horse snorts an’ bunches all ’is quarters in a hump,
And the saddle climbs a sapling, an’ the horse-shoes split a stump?

No, before yer teach the native you must ride without a fall
Up a gum or down a gully nigh as steep as any wall—
You must swim the roarin’ Darlin’ when the flood is at its height
Bearin’ down the stock an’ stations to the Great Australian Bight.

You can’t count the bulls an’ bisons that yer copped with your lassoo—
But a stout old myall bullock p’raps ’ud learn yer somethin’ new;
Yer’d better make yer will an’ leave yer papers neat an’ trim
Before yer make arrangements for the lassooin’ of him;
Ere you ’n’ yer horse is catsmeat, fittin’ fate for sich galoots,
And yer saddle’s turned to laces like we put in blucher boots.

And yer say yer death on Injins! We’ve got somethin’in yer line—
If yer think your fitin’s ekal to the likes of Tommy Ryan.
Take yer karkass up to Queensland where the allygators chew
And the carpet-snake is handy with his tail for a lassoo;

Ride across the hazy regins where the lonely emus wail
An’ ye’ll find the black’ll track yer while yer lookin’ for his trail;
He can track yer without stoppin’ for a thousand miles or more—
Come again, and he will show yer where yer spit the year before.
But yer’d best be mighty careful, you’ll be sorry you kem here
When yer skewered to the fakements of yer saddle with a spear—
When the boomerang is sailin’ in the air, may heaven help yer!
It will cut yer head off goin’, an’ come back again and skelp yer.

P.S.—As poet and as Yankee I will greet you, Texas Jack,
For it isn’t no ill-feelin’ that is gettin’ up my back,
But I won’t see this land crowded by each Yank and British cuss
Who takes it in his head to come a-civilisin’ us.
So if you feel like shootin’ now, don’t let yer pistol cough—
(Our Government is very free at chokin’ fellers off);
And though on your great continent there’s misery in the towns
An’ not a few untitled lords and kings without their crowns,
I will admit your countrymen is busted big, an’ free,
An’ great on ekal rites of men and great on liberty;

I will admit yer fathers punched the gory tyrant’s head,
But then we’ve got our heroes, too, the diggers that is dead—
The plucky men of Ballarat who toed the scratch right well
And broke the nose of Tyranny and made his peepers swell
For yankin’ Lib.’s gold tresses in the roarin’ days gone by,
An’ doublin’ up his dirty fist to black her bonny eye;
So when it comes to ridin’ mokes, or hoistin’ out the Chow,
Or stickin’ up for labour’s rights, we don’t want showin’ how.
They come to learn us cricket in the days of long ago,
An’ Hanlan come from Canada to learn us how to row,
An’ ‘doctors’ come from ’Frisco just to learn us how to skite,
An’ ‘pugs’ from all the lands on earth to learn us how to fight;
An’ when they go, as like or not, we find we’re taken in,
They’ve left behind no larnin’—but they’ve carried off our tin.

The Ballad Of Mabel Clare

Ye children of the Land of Gold,
I sing a song to you,
And if the jokes are somewhat old,
The main idea is new.
So be it sung, by hut and tent,
Where tall the native grows;
And understand, the song is meant
For singing through the nose.
There dwelt a hard old cockatoo
On western hills far out,
Where everything is green and blue,
Except, of course, in drought;
A crimson Anarchist was he—
Held other men in scorn—
Yet preached that ev’ry man was free,
And also ‘ekal born.’

He lived in his ancestral hut—
His missus wasn’t there—
And there was no one with him but
His daughter, Mabel Clare.
Her eyes and hair were like the sun;
Her foot was like a mat;
Her cheeks a trifle overdone;
She was a democrat.

A manly independence, born
Among the trees, she had,
She treated womankind with scorn,
And often cursed her dad.
She hated swells and shining lights,
For she had seen a few,
And she believed in ‘women’s rights’
(She mostly got’em, too).

A stranger at the neighb’ring run
Sojourned, the squatter’s guest,
He was unknown to anyone,
But like a swell was dress’d;
He had an eyeglass to his eye,
A collar to his ears,
His feet were made to tread the sky,
His mouth was formed for sneers.

He wore the latest toggery,
The loudest thing in ties—
’Twas generally reckoned he
Was something in disguise.
But who he was, or whence he came,
Was long unknown, except
Unto the squatter, who the name
And noble secret kept.

And strolling in the noontide heat,
Beneath the blinding glare,
This noble stranger chanced to meet
The radiant Mabel Clare.
She saw at once he was a swell—
According to her lights—
But, ah! ’tis very sad to tell,
She met him oft of nights.

And, strolling through a moonlit gorge,
She chatted all the while
Of Ingersoll, and Henry George,
And Bradlaugh and Carlyle:
In short, he learned to love the girl,
And things went on like this,
Until he said he was an Earl,
And asked her to be his.

‘Oh, say no more, Lord Kawlinee,
‘Oh, say no more!’ she said;
‘Oh, say no more, Lord Kawlinee,
‘I wish that I was dead:
‘My head is in a hawful whirl,
‘The truth I dare not tell—
‘I am a democratic girl,
‘And cannot wed a swell!’

‘Oh love!’ he cried, ‘but you forget
‘That you are most unjust;
‘’Twas not my fault that I was set
‘Within the upper crust.
‘Heed not the yarns the poets tell—
‘Oh, darling, do not doubt
‘A simple lord can love as well
‘As any rouseabout!

‘For you I’ll give my fortune up—
‘I’d go to work for you!
‘I’ll put the money in the cup
‘And drop the title, too.
‘Oh, fly with me! Oh, fly with me
‘Across the mountains blue!
‘Hoh, fly with me! Hoh, fly with me!—’
That very night she flew.

They took the train and journeyed down—
Across the range they sped—
Until they came to Sydney town,
Where shortly they were wed.
And still upon the western wild
Admiring teamsters tell
How Mabel’s father cursed his child
For clearing with a swell.

‘What ails my bird this bridal night,’
Exclaimed Lord Kawlinee;
‘What ails my own this bridal night—
‘O love, confide in me!’
‘Oh now,’ she said, ‘that I am yaws
‘You’ll let me weep—I must—
‘I did desert the people’s cause
‘To join the upper crust.’

O proudly smiled his lordship then—
His chimney-pot he floor’d—
‘Look up, my love, and smile again,
‘For I am not a lord!’
His eye-glass from his eye he tore,
The dickey from his breast,
And turned and stood his bride before
A rouseabout—confess’d!

‘Unknown I’ve loved you long,’ he said,
‘And I have loved you true—
‘A-shearing in your guv’ner’s shed
‘I learned to worship you.
‘I do not care for place or pelf,
‘For now, my love, I’m sure
‘That you will love me for myself
‘And not because I’m poor.

‘To prove your love I spent my cheque
‘To buy this swell rig-out;
‘So fling your arms about my neck
‘For I’m a rouseabout!’
At first she gave a startled cry,
Then, safe from care’s alarms,
She sigh’d a soul-subduing sigh
And sank into his arms.

He pawned the togs, and home he took
His bride in all her charms;
The proud old cockatoo received
The pair with open arms.
And long they lived, the faithful bride,
The noble rouseabout—
And if she wasn’t satisfied
She never let it out.

In The Days When The World Was Wide


The world is narrow and ways are short, and our lives are dull and slow,
For little is new where the crowds resort, and less where the wanderers go;
Greater, or smaller, the same old things we see by the dull road-side --
And tired of all is the spirit that sings
of the days when the world was wide.

When the North was hale in the march of Time,
and the South and the West were new,
And the gorgeous East was a pantomime, as it seemed in our boyhood's view;
When Spain was first on the waves of change,
and proud in the ranks of pride,
And all was wonderful, new and strange in the days when the world was wide.

Then a man could fight if his heart were bold,
and win if his faith were true --
Were it love, or honour, or power, or gold, or all that our hearts pursue;
Could live to the world for the family name, or die for the family pride,
Could fly from sorrow, and wrong, and shame
in the days when the world was wide.

They sailed away in the ships that sailed ere science controlled the main,
When the strong, brave heart of a man prevailed
as 'twill never prevail again;
They knew not whither, nor much they cared --
let Fate or the winds decide --
The worst of the Great Unknown they dared
in the days when the world was wide.

They raised new stars on the silent sea that filled their hearts with awe;
They came to many a strange countree and marvellous sights they saw.
The villagers gaped at the tales they told,
and old eyes glistened with pride --
When barbarous cities were paved with gold
in the days when the world was wide.

'Twas honest metal and honest wood, in the days of the Outward Bound,
When men were gallant and ships were good -- roaming the wide world round.
The gods could envy a leader then when `Follow me, lads!' he cried --
They faced each other and fought like men
in the days when the world was wide.

They tried to live as a freeman should -- they were happier men than we,
In the glorious days of wine and blood, when Liberty crossed the sea;
'Twas a comrade true or a foeman then, and a trusty sword well tried --
They faced each other and fought like men
in the days when the world was wide.

The good ship bound for the Southern seas when the beacon was Ballarat,
With a `Ship ahoy!' on the freshening breeze,
`Where bound?' and `What ship's that?' --
The emigrant train to New Mexico -- the rush to the Lachlan Side --
Ah! faint is the echo of Westward Ho!
from the days when the world was wide.

South, East, and West in advance of Time -- and, ay! in advance of Thought
Those brave men rose to a height sublime -- and is it for this they fought?
And is it for this damned life we praise the god-like spirit that died
At Eureka Stockade in the Roaring Days
with the days when the world was wide?

We fight like women, and feel as much; the thoughts of our hearts we guard;
Where scarcely the scorn of a god could touch,
the sneer of a sneak hits hard;
The treacherous tongue and cowardly pen, the weapons of curs, decide --
They faced each other and fought like men
in the days when the world was wide.

Think of it all -- of the life that is! Study your friends and foes!
Study the past! And answer this: `Are these times better than those?'
The life-long quarrel, the paltry spite, the sting of your poisoned pride!
No matter who fell it were better to fight
as they did when the world was wide.

Boast as you will of your mateship now -- crippled and mean and sly --
The lines of suspicion on friendship's brow
were traced since the days gone by.
There was room in the long, free lines of the van
to fight for it side by side --
There was beating-room for the heart of a man
in the days when the world was wide.

. . . . .

With its dull, brown days of a-shilling-an-hour
the dreary year drags round:
Is this the result of Old England's power?
-- the bourne of the Outward Bound?
Is this the sequel of Westward Ho! -- of the days of Whate'er Betide?
The heart of the rebel makes answer `No!
We'll fight till the world grows wide!'

The world shall yet be a wider world -- for the tokens are manifest;
East and North shall the wrongs be hurled that followed us South and West.
The march of Freedom is North by the Dawn! Follow, whate'er betide!
Sons of the Exiles, march! March on! March till the world grows wide!

The Cambaroora Star


So you're writing for a paper? Well, it's nothing very new
To be writing yards of drivel for a tidy little screw;
You are young and educated, and a clever chap you are,
But you'll never run a paper like the CAMBAROORA STAR.
Though in point of education I am nothing but a dunce,
I myself -- you mayn't believe it -- helped to run a paper once
With a chap on Cambaroora, by the name of Charlie Brown,
And I'll tell you all about it if you'll take the story down.

On a golden day in summer, when the sunrays were aslant,
Brown arrived in Cambaroora with a little printing plant
And his worldly goods and chattels -- rather damaged on the way --
And a weary-looking woman who was following the dray.
He had bought an empty humpy, and, instead of getting tight,
Why, the diggers heard him working like a lunatic all night:
And next day a sign of canvas, writ in characters of tar,
Claimed the humpy as the office of the CAMBAROORA STAR.

Well, I cannot read, that's honest, but I had a digger friend
Who would read the paper to me from the title to the end;
And the STAR contained a leader running thieves and spielers down,
With a slap against claim-jumping, and a poem made by Brown.
Once I showed it to a critic, and he said 'twas very fine,
Though he wasn't long in finding glaring faults in every line;
But it was a song of Freedom -- all the clever critic said
Couldn't stop that song from ringing, ringing, ringing in my head.

So I went where Brown was working in his little hut hard by:
`My old mate has been a-reading of your writings, Brown,' said I --
`I have studied on your leader, I agree with what you say,
You have struck the bed-rock certain, and there ain't no get-away;
Your paper's just the thumper for a young and growing land,
And your principles is honest, Brown; I want to shake your hand,
And if there's any lumping in connection with the STAR,
Well, I'll find the time to do it, and I'll help you -- there you are!'

Brown was every inch a digger (bronzed and bearded in the South),
But there seemed a kind of weakness round the corners of his mouth
When he took the hand I gave him; and he gripped it like a vice,
While he tried his best to thank me, and he stuttered once or twice.
But there wasn't need for talking -- we'd the same old loves and hates,
And we understood each other -- Charlie Brown and I were mates.
So we worked a little `paddock' on a place they called the `Bar',
And we sank a shaft together, and at night we worked the STAR.

Charlie thought and did his writing when his work was done at night,
And the missus used to `set' it near as quick as he could write.
Well, I didn't shirk my promise, and I helped the thing, I guess,
For at night I worked the lever of the crazy printing-press;
Brown himself would do the feeding, and the missus used to `fly' --
She is flying with the angels, if there's justice up on high,
For she died on Cambaroora when the STAR began to go,
And was buried like the diggers buried diggers long ago.

. . . . .

Lord, that press! It was a jumper -- we could seldom get it right,
And were lucky if we averaged a hundred in the night.
Many nights we'd sit together in the windy hut and fold,
And I helped the thing a little when I struck a patch of gold;
And we battled for the diggers as the papers seldom do,
Though when the diggers errored, why, we touched the diggers too.
Yet the paper took the fancy of that roaring mining town,
And the diggers sent a nugget with their sympathy to Brown.

Oft I sat and smoked beside him in the listening hours of night,
When the shadows from the corners seemed to gather round the light --
When his weary, aching fingers, closing stiffly round the pen,
Wrote defiant truth in language that could touch the hearts of men --
Wrote until his eyelids shuddered -- wrote until the East was grey:
Wrote the stern and awful lessons that were taught him in his day;
And they knew that he was honest, and they read his smallest par,
For I think the diggers' Bible was the CAMBAROORA STAR.

Diggers then had little mercy for the loafer and the scamp --
If there wasn't law and order, there was justice in the camp;
And the manly independence that is found where diggers are
Had a sentinel to guard it in the CAMBAROORA STAR.
There was strife about the Chinamen, who came in days of old
Like a swarm of thieves and loafers when the diggers found the gold --
Like the sneaking fortune-hunters who are always found behind,
And who only shepherd diggers till they track them to the `find'.

Charlie wrote a slinging leader, calling on his digger mates,
And he said: `We think that Chinkies are as bad as syndicates.
What's the good of holding meetings where you only talk and swear?
Get a move upon the Chinkies when you've got an hour to spare.'
It was nine o'clock next morning when the Chows began to swarm,
But they weren't so long in going, for the diggers' blood was warm.
Then the diggers held a meeting, and they shouted: `Hip hoorar!
Give three ringing cheers, my hearties, for the CAMBAROORA STAR.'

But the Cambaroora petered, and the diggers' sun went down,
And another sort of people came and settled in the town;
The reefing was conducted by a syndicate or two,
And they changed the name to `Queensville', for their blood was very blue.
They wanted Brown to help them put the feathers in their nests,
But his leaders went like thunder for their vested interests,
And he fought for right and justice and he raved about the dawn
Of the reign of Man and Reason till his ads. were all withdrawn.

He was offered shares for nothing in the richest of the mines,
And he could have made a fortune had he run on other lines;
They abused him for his leaders, and they parodied his rhymes,
And they told him that his paper was a mile behind the times.
`Let the times alone,' said Charlie, `they're all right, you needn't fret;
For I started long before them, and they haven't caught me yet.
But,' says he to me, `they're coming, and they're not so very far --
Though I left the times behind me they are following the STAR.

`Let them do their worst,' said Charlie, `but I'll never drop the reins
While a single scrap of paper or an ounce of ink remains:
I've another truth to tell them, though they tread me in the dirt,
And I'll print another issue if I print it on my shirt.'
So we fought the battle bravely, and we did our very best
Just to make the final issue quite as lively as the rest.
And the swells in Cambaroora talked of feathers and of tar
When they read the final issue of the CAMBAROORA STAR.

Gold is stronger than the tongue is -- gold is stronger than the pen:
They'd have squirmed in Cambaroora had I found a nugget then;
But in vain we scraped together every penny we could get,
For they fixed us with their boycott, and the plant was seized for debt.
'Twas a storekeeper who did it, and he sealed the paper's doom,
Though we gave him ads. for nothing when the STAR began to boom:
'Twas a paltry bill for tucker, and the crawling, sneaking clown
Sold the debt for twice its value to the men who hated Brown.

I was digging up the river, and I swam the flooded bend
With a little cash and comfort for my literary friend.
Brown was sitting sad and lonely with his head bowed in despair,
While a single tallow candle threw a flicker on his hair,
And the gusty wind that whistled through the crannies of the door
Stirred the scattered files of paper that were lying on the floor.
Charlie took my hand in silence -- and by-and-by he said:
`Tom, old mate, we did our damnedest, but the brave old STAR is dead.'

. . . . .

Then he stood up on a sudden, with a face as pale as death,
And he gripped my hand a moment, while he seemed to fight for breath:
`Tom, old friend,' he said, `I'm going, and I'm ready to -- to start,
For I know that there is something -- something crooked with my heart.
Tom, my first child died. I loved her even better than the pen --
Tom -- and while the STAR was dying, why, I felt like I did THEN.

. . . . .

Listen! Like the distant thunder of the rollers on the bar --
Listen, Tom! I hear the -- diggers -- shouting: `Bully for the STAR!''

Mostly Slavonic

I.—
Peter Michaelov

It was Peter the Barbarian put an apron in his bag
And rolled up the honoured bundle that Australians call a swag;
And he tramped from Darkest Russia, that it might be dark no more,
Dreaming of a port, and shipping, as no monarch dreamed before.
Of a home, and education, and of children staunch and true,
Like my father in the fifties—and his name was Peter, too.
(He could build a ship—or fiddle, out of wood, or bark, or hide—.
Sail one round the world and play the other one at eventide.)

Russia’s Peter (not my father) went to Holland in disguise,
Where he laboured as a shipwright underneath those gloomy skies;
Later on he went to England (which the Kaiser now—condemns)
Where he studied as a ship-smith by old Deptford on the Thames—
And no doubt he knew the rope-walk—(and the rope’s end too, he knew)—
Learned to build a ship and sail it—learned the business through and through.
And I’d like to say my father mastered navigation too.
(He was born across in Norway, educated fairly well,
And he grafted in a ship-yard by the Port of Arundel.)

“Peter Michaelov” (not Larsen) his work was by no means done;
For he learned to make a ploughshare, and he learned to make a gun.
Russian soldiers must have clothing, so he laboured at the looms,
And he studied, after hours, building forts and building booms.
He would talk with all and sundry, merchants and adventurers—
Whaling men from Nova Scotia, and with ancient mariners.
Studied military systems (of which Austria’s was the best).
Hospitals and even bedlams—class distinctions and the rest.

There was nothing he neglected that was useful to be known—
And he even studied Wowsers, who had no creed of his own.
And, lest all that he accomplished should as miracles appear,
It must always be remembered he’d a secret Fund for Beer.
When he tramped to toil and exile he was only twenty-five,
With a greater, grander object than had any man alive.
And perhaps the lad was bullied, and was sad for all we know—
Though it isn’t very likely that he’d take a second blow.
He had brains amongst the brainless, and, what that thing means I knew,
For before I found my kingdom, I had slaved in workshops too.

But they never dreamed, the brainless, boors that used to sneer and scoff,
That the dreamy lad beside them—known as “Dutchy Mickyloff”—
Was a genius and a poet, and a Man—no matter which—
Was the Czar of all the Russias!—Peter Michaelovich.


Sweden struck ere he was ready—filled the land with blood and tears—
But he broke the power of Sweden though it took him nine long years.
For he had to train his army—He was great in training men—
And no foreign foe in Russia have had easy times since then.

Then the Port, as we must have one—His a work of mighty drains—
(Ours of irrigation channels—or it should be, on the plains).
So he brought from many countries strong adventures with brains.
It was marshes to horizons, it was pestilential bogs;
It was stoneless, it was treeless, so he brought Norwegian logs.
’Twas a land without a people, ’twas a land without a law;
But the lonely Gulf of Finland heard the axe and heard the saw;
He compelled the population to that desert land and lone—
Shifted them by tens of thousands as we’ll have to shift our own.
He imported stone and mortar (he supplied the labouring gang),
Brought his masons from all Russia—let the other towns go hang;
Brought his carpenters from Venice—they knew how to make a port!
Till he heard the church bells ringing in the town of Petersfort!
Brought his shipbuilders from Holland, built his navy feverishly—
Till the Swedish fleet was shattered and the Baltic routes were free,
And his Port was on the Neva and his Ships were on the sea!


Petrograd upon the Neva! and the Man who saw it through!—
Stately Canberra on the Cotter!—and the men who build it too!

Russian Peter was “inhuman,” so the wise historians say—
What’s the use of being human in a land like ours to-day,
Till a race of stronger people wipe the Sickly Whites away?
Let them have it, who will have it—those who do not understand—
“Peter lived and died a savage”—but he civilized the land.
And, as it is at present, so ’twas always in the past—
’Twas his nearest and his dearest that broke Peter’s heart at last.


He was more than half a heathen, if historians are true;
But he used to whack his missus as a Christian ought to do—
And he should have done it sooner—but that trouble isn’t new.
We’d have saved a lot of bother had we whacked our women, too.
Peter more than whacked his subjects, ere the change was brought about.
And, in some form or another, we shall have to use the knout,
If we wish to build a nation—else we’ll have to do without.
And be wretched slaves and exiles, homeless in the Southern Sea,
When an Asiatic Nation hath “rough hewn” our destiny.

II.—
The Brandenburgers

Things have been mixed up in Europe till there’s nothing in a name,
So it doesn’t really matter whence the Brandenburgers came;
But they did no pioneering as our fathers did of old—
Only bullied, robbed and murdered till they bought the land with gold.
And they settled down in Prussia to the bane of Germany,
With a spike upon the helmet where three brazen balls should be.
And they swaggered, swigged and swindled, and by bullying held sway,
And they blindly inter-married till they’re madmen to this day.
And the lovely nights in Munich are as memories of the dead;
Night is filled with nameless terrors, day is filled with constant dread.
But Bavaria the peaceful, ere the lurid star is set,
She shall lead her neighbours on to pluck the Prussian Eagles yet.

We’ll pass over little Denmark, as the brave historians can,
Austria suffered at Sadowa, France was sorry at Sedan.
And for England’s acquiescence in the crime she suffers too.
Meanwhile Denmark drained her marshes, planted grain and battled through.
(We, who never knew what war is—who had gold without the pain—
Never locked a western river that might save a western plain.)
You may say the Danes were pirates, and so leave them on the shelf?
Given youth and men and money, I would pirate some myself!
Why should I be so excited for another nation’s pains?
I am prejudiced and angry, for my forefathers were Danes.
What have I to do with nations? Or the battle’s lurid stars?—
I am Henry, son of Peter, who was Peter, son of Lars;
Lars the son of Nils—But never mind from whence our lineage springs—
Yes, my forefathers wore helmets, but their helmets wore the wings—
(There’s a feather for your bonnet, there is unction for your souls!)
And the wings bore us to England, and Australia and the Poles.
What did we for little Denmark? Well, we sent our thousands through;
But, without the guns or money, what could Scandinavia do?
(It is true of some Australians, by the sea or sandwaste lone,
That they hold their father’s country rather dearer than their own.
But the track is plain before them, and they know who blazed the track,
To the work our Foreign Fathers did in Early Days, Out Back.
As a mate can do no mean thing in the bushman’s creed and song,
So a fellow’s father’s country [seems to me] can do no wrong.)

Where was I? The Wrong of Denmark—or the chastening of her soul?
And perhaps her rulers “got it” where ’twas needed, on the whole.
’Twas the gentlemen of Poland crushed the spirit of the Pole,
Till he didn’t care which nation he was knouted by, and served;
So the gentlemen of Poland got wiped out, as they deserved.
Freedom shrieked (where was no freedom), and perhaps she shrieked for shame.
But let Kosciusko slumber—we’ve immortalised his name.
By the poets and the tenors have our tender souls been wrenched;
And, on many a suffering Christian, Polish Jews have been avenged.




III.—
The Blue Danube

Where the skies are blue in winter by the Adriatic Sea,
And the summer skies are bluer even than our own can be;
In the shadow of a murder, weak from war and sore afraid;
By the ocean-tinted Danube stood the city of Belgrade.
Danube of the love-lit starlight, Danube of the dreamy waltz—
And Belgrade bowed down in ashes for her crimes and for her faults.
And the Prussian-driven Austrians who’d been driven oft before,
From Vienna’s cultured city marched reluctantly to war.

Just to clear a path for Prussia, and her bloodhounds to the sea;
To the danger of the white world and the shame of Germany.
And a blacker fate than Belgium’s stared the Servians in the face.
But Belgrade had many soldiers of the old Slavonic race,
And her gun-crews manned the Danube, small and weak, but undismayed—
And Belgrade remembered Russia, and she called on her for aid.


And there came a secret message and a sign from Petrograd,
And the Servian arm was strengthened and the Servian heart was glad.
For the message in plain English, from the City of Snow,
Simply said: “I’m sending Ivan by the shortest route I know.”
So then Servia bid defiance, for she knew her friend was true;
And her guns along the Danube added blue smoke to the blue.



IV.—
The Peasantry

Who are these in rags and sheepskin, mangy fur-caps, matted hair?
Who are these with fearsome whiskers, black and wiry everywhere?
Who are these in blanket putties—canvas, rag, or green-hide shoes?
These with greasy bags and bundles grimy as the Russian flues?
Never song nor cheer amongst them, never cry of “What’s the News?”
Packed on cattle-trains and ox-carts, from the north and south and east;
Trudging from the marsh and forest, where the man is like the beast?
On the lonely railway platforms, bending round the village priest;
Here and there the village scholar, everywhere the country clowns?
They’re reservists of old Russia pouring in to Russian towns!


Women’s faces, gaunt and haggard, start and startle here and there,
White and whiter by the contrast to the shawls that hide their hair.
Black-shawled heads—the shrouds of sorrow! Eyes of Fear without a name!
Through the length and breadth of Europe, God! their eyes are all the same!
Famous Artist of the Present, wasting Art and wasting Life,
With your daughters for your models, or your everlasting wife—
With your kids for nymphs and fairies, or your Studies in “the Nood”—
Exercise imagination, and forget your paltry brood!
Take an old Bulgarian widow who has lost her little store,
Who has lost her sons in battle, paint her face, and call it “War.”



V.—
The Russian March

Russian mist, and cold, and darkness, on the weary Russian roads;
And the sound of Russian swear-words, and the whack of Russian goads;
There’s the jerk of tightened traces and of taughtened bullock-chains—
’Tis the siege guns and the field guns, and the ammunition trains.
There’s the grind of tires unceasing, where the metal caps the clay;
And the “clock,” “clock,” “clock” of axles going on all night and day.
And the groaning undercarriage and the king pin and the wheel,
And the rear wheels, which are fore wheels, with their murd’rous loads of steel.

Here and there the sound of cattle in the mist and in the sleet,
And the scrambling start of horses, and the ceaseless splosh of feet.
There’s the short, sharp, sudden order such as drivers give to slaves,
And a ceaseless, soughing, sighing, like the sound of sea-worn caves
When a gale is slowly dying and the darkness hides the waves,
And the ghostly phosphorescence flashes past the rocky arch
Like the wraiths of vanished armies. . . . It is Ivan on the march!
’Tis an army that is marching over other armies’ graves.


“Halt!”
Clamp of bits and gathering silence—here and there a horse’s stamp;
Sounds of chains relaxed, and harness, like the teamsters come to camp.
Sounds of boxes moved in waggons, and of axes on a log—
And the wild and joyous barking of the regimental dog!
Sounds of pots and pans and buckets, and the clink of chain and hook—
And the blasphemous complaining of the Universal Cook.
Mist and mist and mellowed moonlight—night in more than ghostly robes;
And the lanterns and the camp fires like dim lights in frosted globes.
Silence deep of satisfaction. Sounds of laughter murmuring—
And the fragrance of tobacco! Are you Ivan? Ivan! Sing!

“I am Ivan! Yes, I’m Ivan, from the mist and from the mirk;
From the night of “Darkest Russia” where Oppression used to lurk—
And it’s many weary winters since I started Christian work;
But you feared the power of Ivan, and you nursed the rotten Turk.
Nurse him now! Or nurse him later, when his green-black blood hath laved
Wounds upon your hands and “honour” that his gratitude engraved;
Poison teeth on hands that shielded, poison fangs on hands that saved.

“No one doubted Ivan’s honour, no one doubted Ivan’s vow,
And the simple word of Ivan, none would dream of doubting now;
Yet you cherished, for your purpose, lies you heard and lies you spread,
And you triumphed for a Spectre over Ivan’s murdered dead!
You were fearful of my power in the rolling of my drums—
Now you tremble lest it fail me when To-morrow’s Morrow comes!

I had sought to conquer no land save what was by right my own—
I took Finland, I took Poland, but I left their creeds alone.
I, the greater, kindlier Tyrant, bade them live and showed them how—
They are free, and they are happy, and they’re marching with me now—
Marching to the War of Ages—marching to the War of Wars—
Hear the rebel songs of Warsaw! Hear the hymn of Helsingfors!
From the Danube to Siberia and the northern lights aflame.
Many freed and peaceful millions bless the day when Ivan came.
Travel through the mighty Russland—study, learn and understand
That my people are contented, for my people have their land.

“It was spring-time in Crimea, coming cold and dark and late,
When I signed the terms you offered, for I knew that I could wait;
When I bowed to stronger nations or to Universal Fate.
And the roofs of guiltless kinsmen blazed across my frontiers still,
Where the bloody hordes of Islam came to ravish, rob and kill;
And the lands were laid in ashes over many a field and hill;
And the groans of tortured peasants (dreaming yet and sullen-mad)—
And the shrieks of outraged daughters echoed still in Petrograd;
So we taught and trained and struggled, and we cursed the Western Powers,
While we suffered in the awful silence of your God, and ours.

“For the safety of the White Race and the memory of Christ,
Once again I marched on Turkey, only to be sacrificed,
To the Sea-Greed of the Nations, by the pandering of the weak,
And the treachery in Athens of the lying, cheating Greek.
Once again I forced the Balkans over snow and rock and moss,
Once again I saw the passes stormed with unavailing loss;
Once again I saw the Crescent reeling back before the Cross,
And the ships of many nations on the billows dip and toss.

Once again my grey battalions, that had come with Christian aid,
Stood before Constantinople! Ah, you wish that we had stayed!
But the Powers raised their fingers, fearful even once again,
With the jealous fear that lingers even now (and shall remain);
Frigid as the polar regions were your hearts to others’ pain—
So I dragged my weary legions back to Russia—once again.

“Thrice again they raised their fingers when I came with purpose true,
And I bowed and smirked and grovelled as I had been used to do.
Till my kin in bloody visions saw their homes in ruins laid
From the Danube to the ocean, from the ocean to Belgrade;
I was ready, for the last time, when they called on me for aid.

From the Dardanelles, denied me, shall my outward march be set;
And you’ll see my fleets of commerce sail the Adriatic yet.”

Grey Day
.
Daybreak on the world of Europe! Daybreak from the Eastern arch;
Hear the startling sound of bugles! Load and limber up and march!
On! for Ivan and his children, Peace and Rest and Morning Star!
On for Truth and Right and Justice. On for Russia and the Czar!