O placid, fainted lily!
You neither toiled nor spun;
You neither thought nor wrought, or well or illy,-
And now your day is done.


You lived-to be a lily.
And should I gain or miss
My life's long purposes or well or illy,
What could I, more than this?

The Room's Width

I think if I should cross the room,
Far as fear;
Should stand beside you like a thought-
Touch you, Dear!

Like a fancy. To your sad heart
It would seem
That my vision passed and prayed you,
Or my dream.

Then you would look with lonely eyes-
Lift your head-
And you would stir, and sigh, and say-
'She is dead.'

Baffled by death and love, I lean
Through the gloom.
O Lord of life! am I forbid
To cross the room?

Heart of iron, smile of ice,
Oh! the rock.
See him stand as dumb as death.
If you could,
Would you care to stir or shock
Him, think you, by a blow or breath,
From his mood?


Arms of velvet, lips of love,
Oh! the wave.
See her creeping to his feet
Trustfully.
None shall know the sign he gave.
Death since then, were all too sweet.
Let her die.


Lift thine eyes upon the sea,
Soul of stone.
Rather (wouldst thou breathe or move?)
I would be
A warm wave, faithful, wasted, thrown,
Spent and rent and dead with love,
Than be thee.

'All the rivers run into the sea.'
Like the pulsing of a river,
The motion of a song,
Wind the olden words along
The tortuous turnings of my thoughts whenever
I sit beside the sea.


'All the rivers run into the sea.'
O you little leaping river,
Laugh on beneath your breath!
With a heart as deep as death,
Strong stream, go patient, grave, and hasting never,-
I sit beside the sea.


'All the rivers run into the sea.'
Why the passion of a river?
The striving of a soul?
Calm the eternal waters roll
Upon the eternal shore. At last, whatever
Seeks it-finds the sea.


'All the rivers run into the sea.'
O thou bounding, burning river,
Hurrying heart! I seem
To know (so one knows in a dream)
That in the waiting heart of God forever,
Thou too shalt find the sea.

Elaine And Elaine

I

Dead, she drifted to his feet.
Tell us, Love, is Death so sweet?


Oh! the river floweth deep.
Fathoms deeper is her sleep.


Oh! the current driveth strong.
Wilder tides drive souls along.


Drifting, though he loved her not,
To the heart of Launcelot,


Let her pass; it is her place.
Death hath given her this grace.


Let her pass; she resteth well.
What her dreams are, who can tell?


Mute the steersman; why, if he
Speaketh not a word, should we?


II

Dead, she drifteth to his feet.
Close, her eyes keep secrets sweet.


Living, he had loved her well.
High as Heaven and deep as Hell.


Yet that voyage she stayeth not.
Wait you for her, Launcelot?


Oh! the river floweth fast.
Who is justified at last?


Locked her lips are. Hush! If she
Sayeth nothing, how should we?

You come too late;
'Tis far on in November.
The wind strikes bleak
Upon the cheek
That careth rather to keep warm,
(And where 's the harm?)
Than to abate
One jot of its calm color for your sake.
Watch! See! I stir the ember
Upon my lonely hearth and bid the fire wake.


And think you that it will?
'Tis burned, I say, to ashes.
It smoulders cold
As grave-yard mould.
I wish indeed you would not blow
Upon it so!
The dead to kill.
I say, the ghosts of fires will never stir,
Nor woman lift the lashes
Of eyes wept dim, howe'er yours shine for love of her!


Ah, sweet surprise!
did not think such shining
Upon the gloom
Of this cold room
Could fall. Your even, strong, calm breath
Calls life from death.
The warm light lies
At your triumphant feet, faint with desire
To reach you. See! The lining
Of violet and of silver in that sheath of fire!


If you would care-
Although it is November-
I will not say
A bitter nay
To such a gift for building fires.
And though it tires
Me to think of it-I'll own to you
(If you can stir the ember)
It may be found at last, just warm enough for two!

The First Christmas Apart

The shadows watch about the house;
Silent as they, I come.
Oh, it is true that life is deaf,
And not that death is dumb.


The Christmas thrill is on the earth,
The stars throb in the sky.
Love listens in a thousand homes,-
The Christmas bells ring by.


I cross the old familiar door
And take the dear old chair.
You look with desolated eyes
Upon me sitting there.


You gaze and see not, though the tears
In gazing burn and start.
Believe, the living are the blind,
Not that the dead depart.


A year ago some words we said
Kept sacred 'twixt us twain,
'T is you, poor Love, who answer not,
The while I speak again.


I lean above you as before,
Faithful, my arms enfold.
Oh, could you know that life is numb,
Nor think that death is cold!


Senses of earth, how weak ye are!
Joys, joys of Heaven how strong!
Loves of the earth, how short and sad,
Of Heaven how glad and long!


Heart of my heart! if earth or Heaven
Had speech or language fine
Enough, or death or life could give
Me symbol, sound, or sign


To reach you-thought, or touch, or eye,
Body or soul-I 'd die
Again, to make you understand:
My darling! This is I!

Was there ever message sweeter
Than that one from Malvern Hill,
From a grim old fellow-you remember?
Dying in the dark at Malvern Hill.
With his rough face turned a little,
On a heap of scarlet sand,
They found him, just within the thicket,
With a picture in his hand,-


With a stained and crumpled picture
Of a woman's aged face;
Yet there seemed to leap a wild entreaty,
Young and living-tender-from the face
When they flashed the lantern on it,
Gilding all the purple shade,
And stooped to raise him softly,-
'That 's my mother, sir,' he said.


'Tell her'-but he wandered, slipping
Into tangled words and cries,-
Something about Mac and Hooker,
Something dropping through the cries
About the kitten by the fire,
And mother's cranberry-pies; and there
The words fell, and an utter
Silence brooded in the air.


Just as he was drifting from them,
Out into the dark, alone,
(Poor old mother, waiting for your message,
Waiting with the kitten, all alone!)
Through the hush his voice broke,-'Tell her-
Thank you, Doctor-when you can,
Tell her that I kissed her picture,
And wished I 'd been a better man.'


Ah, I wonder if the red feet
Of departed battle-hours
May not leave for us their searching
Message from those distant hours.
Sisters, daughters, mothers, think you,
Would your heroes now or then,
Dying, kiss your pictured faces,
Wishing they 'd been better men?

The Songs Of Seventy Years

Master! let stronger lips than these
Turn melody to harmony,
Poet! mine tremble as they crave
A word alone with thee.


Thy songs melt on the vibrant air,
The wild birds know them, and the wind;
The common light hath claim on them,
The common heart and mind.


And air, and light, and wind, shall be
Thy fellow-singers, while they say
How seventy years of music stir
The common pulse to-day.


Hush, sweetest songs! Mine ears are deaf
To all of ye save only one.
Blind are the eyes that turn the leaf
Against the Autumn sun.


Oh, blinder once were fading eyes,
Close folded now from shine and rain,
And duller were the dying ears
That heard the chosen strain.


Stay, solemn chant! 'T is mine to sing
Your notes alone below the breath.
'T is mine to bless the poet who
Can bless the hour of death.


For once a spirit 'sighed for home,'
A 'longed-for light whereby to see,'
And 'wearied,' found the way to them,
O Christian seer, through thee!


Passed-with thy words on paling lips,
Passed-with thy courage to depart;
Passed-with thy trust within the soul,
Thy music in the heart.


Oh, calm above our restlessness,
And rich beyond our dreaming, yet
In heaven, I know, one owes to thee
A glad and grateful debt.


From it may learn some tenderer art,
May find and take some better way
Than all our tenderest and best,
To crown thy life to-day.

Dead You Speak?

I saw the prettiest picture
Through a garden fence to-day,
Where the lilies look like angels
Just let out to play,
And the roses laugh to see them
All the sweet June day.


Through a hole behind the woodbine,
Just large enough to see
(By begging the lilies' pardon)
Without his seeing me,
My neighbor's boy, and Pharaoh,
The finest dog you'll see,


If you search from Maine to Georgia,
For a dog of kingly air,
And the tolerant, high-bred patience
The great St. Bernards wear,
And the sense of lofty courtesy
In breathing common air.


I called the child's name,-'Franko!'
Hands up to shield my eyes
From the jealous roses,-'Franko!'
A burst of bright surprise
Transfixed the little fellow
With wide, bewildered eyes.


'Franko!' Ah, the mystery!
Up and down, around,
Looks Franko, searching gravely
Sky and trees and ground,
Wise wrinkles on the eyebrows!
Studying the sound.


'O Franko!' Puzzled Franko!
The lilies will not tell;
The roses shake with laughter,
But keep the secret well;
The woodbine nods importantly.
'Who spoke?' cried Franko. 'Tell!'


The trees do not speak English;
The calm great sky is dumb;
The yard and street are silent;
The old board-fence is mum;
Pharaoh lifts his head, but, ah!
Pharaoh too is dumb.


Grave wrinkles on his eyebrows,
Hand upon his knee,
Head bared for close reflection,
Lighted curls blown free,-
The child's soul to the brute's soul
Goes out earnestly.


From the child's eyes to the brute's eyes,
And earnestly and slow,
The child's young voice falls on my ear
'Did you speak, Pharaoh?'
The bright thought growing on him,-
'Did you speak, Pharaoh?'


I can but think if Franko
Would teach us all his way
Of listening and trusting,-
The wise, wise Franko way!-
The world would learn some summer
To hear what dumb things say.

Oh, not to you, my mentor sweet,
And stern as only sweetness can,
Whose grave eyes look out steadfastly
Across my nature's plan,


And take unerring measure down
Where'er that plan is failed or foiled,
Thinking far less of purpose kept
Than of a vision spoiled.


And tender less to what I am,
Than sad for what I might have been;
And walking softly before God
For my soul's sake, I ween.


'T is not to you, my spirit leans,
O grave, true judge! When spent with strife,
And groping out of gloom for light,
And out of death for life.


Nor yet to you, who calmly weigh
And measure every grace and fault,
Whose martial nature never turns
From right to left, to halt


For any glamour of the heart,
Or any glow that ever is,
Grander than Truth's high noonday glare,
In love's sweet sunrises;


Who know me by the duller hues
Of common nights and common days,
And in their sober atmospheres
Find level blame and praise.


True hearts and dear! 't is not in you,
This fainting, warring soul of mine
Finds silver carven chalices,
To hold life's choicest wine


Unto its thirsty lips, and bid
It drink, and breathe, and battle on,
Till all its dreams are deeds at last,
And all its heights are won.


I turn to you, confiding love.
O lifted eyes! look trustfully,
Till Heaven shall lend you other light,
Like kneeling saints-on me.


And let me be to you, dear eyes,
The thing I am not, till I, too,
Shall see as I am seen, and stand
At last revealed to you.


And let me nobler than I am,
And braver still, eternally,
And finer, truer, purer, than
My finest, purest, be


To your sweet vision. There I stand
Transfigured fair in love's deceit,
And while your soul looks up to mine,
My heart lies at your feet.


Believe me better than my best,
And stronger than my strength can hold,
Until your magic faith transmute
My pebbles into gold.


I'll be the thing you hold me, Dear!-
After I'm dead, if not before-
Nor, through the climbing ages, will
I give the conflict o'er.


But if upon the Perfect Peace,
And past the thing that was, and is,
And past the lure of voices, in
A world of silences,


A pain can crawl-a little one-
A cloud upon a sunlit land;
I think in Heaven my heart must ache-
That you should understand.

Of Guinevere from Arthur separate,
And separate from Launcelot and the world,
And shielded in the convent with her sin,
As one draws fast a veil upon a face
That 's marred, but only holds the scar more close
Against the burning brain-I read to-day
This legend; and if other yet than I
Have read, or said, how know I? for the text
Was written in the story we have learned,
Between the ashen lines, invisible,
In hieroglyphs that blazed and leaped like light
Unto the eyes. A thousand times we read;
A thousand turn the page and understand,
And think we know the record of a life,
When lo! if we will open once again
The awful volume, hid, mysterious,
Intent, there lies the unseen alphabet-
Re-reads the tale from breath to death, and spells
A living language that we never knew.


This that I read was one short song of hers,
A fragment, I interpret, or a lost
Faint prelude to another-missing too.
She sang it (says the text) one summer night,
After the vespers, when the Abbess passed
And blessed her; when the nuns were gone, and when
She, kneeling in her drowsy cell, had said
Her prayers (poor soul!), her sorrowful prayers, in which
She had besought the Lord, for His dear sake,
And love and pity of His Only Son,
To wash her of her stain, and make her fit
On summer nights, behind the convent bars
And on stone-floors, with bruisèd lips, to pray
Away all vision but repentance from
Her soul.


When, kneeling as she was, her limbs
Refused to bear her, and she fell afaint
From weariness and striving to become
A holy woman, all her splendid length
Upon the ground, and groveled there, aghast
That buried nature was not dead in her,
But lived, a rebel through her fair, fierce youth;
Aghast to find that claspèd hands would clench;
Aghast to feel that praying lips refused
Like saints to murmur on, but shrank
And quivered dumb. 'Alas! I cannot pray!'
Cried Guinevere. 'I cannot pray! I will
Not lie! God is an honest God, and I
Will be an honest sinner to his face.
Will it be wicked if I sing? Oh! let
Me sing a little, of I know not what;
Let me just sing, I know not why. For lips
Grow stiff with praying all the night.
Let me believe that I am happy, too.
A blessèd blessèd woman, who is fit
To sing because she did not sin; or else
That God forgot it for a little while
And does not mind me very much.
Dear Lord,'
(Said Guinevere), 'wilt thou not listen while
I sing, as well as while I pray? I shall
Feel safer so. For I have naught to say
God should not hear. The song comes as the prayer
Doth come. Thou listenest. I sing.'…


Purple the night, and high were the skies, and higher
The eyes that leaned like the stars of my soul, to me.
Whom loveth the Queen? Him who hath right to crown her.
Who but the King is he?


Sultry the day, and gold was the hair, and golden
The mist that blinded my soul away from me.
Dethroned for a dream, for a gleam, for a glance, for a color,
How could the crownèd be?


Life goeth by like a deed, nor returneth forever.
Death cometh on, fleet-footed as pity should be.
Hush! When she waketh at last and looketh about her,
Whom will a woman see?


Thus in her cell,
Deep in the summer night, sang Guinevere-
A little, broken, blind, sweet melody-
And then she kneeled upon the convent floor,
And, peaceful, finished all her prayer and slept;
For she had naught to say God might not hear.

Stronger Than Death

prologue


Who shall tell the story
As it was?
Write it with the heart's blood?
(Pale ink, alas!)
Speak it with the soul's lips,
Or be dumb?
Tell me, singers fled, and
Song to come!


No answer; like a shell the silence curls,
And far within it leans a whisper out,
Breathless and inarticulate, and whirls
And dies as dies an ailing dread or doubt.


And I-since there is found none else than I,
No stronger, sweeter voice than mine, to tell
This tale of love that cannot stoop to die-
Were fain to be the whisper in the shell;


Were fain to lose and spend myself within
The sacred silence of one mighty heart,
And leaning from it, hidden there, to win
Some finer ear that, listening, bends apart.


'Fly for your lives!' The entrails of the earth
Trembled, resounding to the cry,
That, like a chasing ghost, around the mine
Crept ghastly: 'The pit 's on fire! Fly!'


The shaft, a poisoned throat whose breath was death,
Like hell itself grown sick of sin,
Hurled up the men; haggard and terrible;
Leaping upon us through the din


That all our voices made; and back we shrank
From them as from the starting dead;
Recoiling, shrieked, but knew not why we shrieked;
And cried, but knew not what we said.


And still that awful mouth did toss them up:
'The last is safe! The last is sound!'
We sobbed to see them where they sunk and crawled,
Like beaten hounds, upon the ground.


Some sat with lolling, idiot head, and laughed;
One reached to clutch the air away
His gasping lips refused; some cursed; and one
Knelt down-but he was old-to pray.


We huddled there together all that night,
Women and men from the wild Town;
I heard a shrill voice cry, 'We all are up,
But some-ye have forgot-are down!'


'Who is forgot?' We stared from face to face;
But answering through the dark, she said
(It was a woman): 'Eh, ye need not fret;
None is forgot except the dead.


'The buried dead asleep there in the works-
Eh, Lord! It must be hot below!
Ye'll keep 'em waking all the livelong night,
To set the mine a-burning so!'


And all the night the mine did burn and burst,
As if the earth were but a shell
Through which a child had thrust a finger-touch,
And, peal on dreadful peal, the bell,


The miner's 'larum, wrenched the quaking air;
And through the flaring light we saw
The solid forehead of the eternal hill
Take on a human look of awe;


As if it were a living thing, that spoke
And flung some protest to the sky,
As if it were a dying thing that saw,
But could not tell, a mystery.


The bells ran ringing by us all that night.
The bells ceased jangling with the morn.
About the blackened works,-sunk, tossed, and rent,-
We gathered in the foreign dawn;


Women and men, with eyes askance and strange,
Fearing, we knew not what, to see.
Against the hollowed jaws of the torn hill,
Why creep the miners silently?


From man to man, a whisper chills: 'See, see,
The sunken shaft of Thirty-one!
The earth, a traitor to her trust, has fled
And turned the dead unto the sun.


'And here-O God of life and death! Thy work,
Thine only, this!' With foreheads bare,
We knelt, and drew him, young and beautiful,
Thirty years dead, into the air.


Thus had he perished; buried from the day;
By the swift poison caught and slain;
By the kind poison unmarred, rendered fair
Back to the upper earth again-


The warm and breathing earth that knew him not;
And men and women wept to see-
For kindred had he none among us all-
How lonely even the dead may be.


We wept, I say; we wept who knew him not;
But sharp, a tearless woman sprang
From out the crowd (that quavering voice I knew),
And terrible her cry outrang:


'I pass, I pass ye all! Make way! Stand back!
Mine is the place ye yield,' she said.
'He was my lover once-my own, my own;
Oh, he was mine, and he is dead!'


Women and men, we gave her royal way;
Proud as young joy the smile she had.
We knew her for a neighbor in the Town,
Unmated, solitary, sad.


Youth, hope, and love, we gave her silent way,
Calm as a sigh she swept us all;
Then swiftly, as a word leans to a thought,
We saw her lean to him, and fall


Upon the happy body of the dead-
An aged woman, poor and gray.
Bright as the day, immortal as young Love,
And glorious as life, he lay.


Her shrunken hands caressed his rounded cheek,
Her white locks on his golden hair
Fell sadly. 'O love!' she cried with shriveled lips,
'O love, my love, my own, my fair!


'See, I am old, and all my heart is gray.
They say the dead are aye forgot-
There, there, my sweet! I whisper, leaning low,
That all these women hear it not.


'Deep in the darkness there, didst think on me?
High in the heavens, have ye been true?
Since I was young, and since you called me fair,
I never loved a man but you.


And here, my boy, you lie, so safe, so still'-
But there she hushed; and in the dim,
Cool morning, timid as a bride, but calm
As a glad mother, gathered him


Unto her heart. And all the people then,
Women and men, and children too,
Crept back, and back, and back, and on,
Still as the morning shadows do.


And left them in the lifting dawn-they two,
On her sad breast, his shining head
Stirred softly, as were he the living one,
And she had been the moveless dead.


And yet we crept on, back, and back, and on.
The distance widened like the sky,
Between our little restlessness,
And Love so godlike that it could not die.