Amy Lowell: Verses about Change

How still it is! Sunshine itself here falls
In quiet shafts of light through the high trees
Which, arching, make a roof above the walls
Changing from sun to shadow as each breeze
Lingers a moment, charmed by the strange sight
Of an Italian theatre, storied, seer
Of vague romance, and time's long history;
Where tiers of grass-grown seats sprinkled with white,
Sweet-scented clover, form a broken sphere
Grouped round the stage in hushed expectancy.

What sound is that which echoes through the wood?
Is it the reedy note of an oaten pipe?
Perchance a minute more will see the brood
Of the shaggy forest god, and on his lip
Will rest the rushes he is wont to play.
His train in woven baskets bear ripe fruit
And weave a dance with ropes of gray acorns,
So light their touch the grasses scarcely sway
As they the measure tread to the lilting flute.
Alas! 't is only Fancy thus adorns.

A cloud drifts idly over the shining sun.
How damp it seems, how silent, still, and strange!
Surely 't was here some tragedy was done,
And here the chorus sang each coming change?
Sure this is deep in some sweet, southern wood,
These are not pines, but cypress tall and dark;
That is no thrush which sings so rapturously,
But the nightingale in his most passionate mood
Bursting his little heart with anguish. Hark!
The tread of sandalled feet comes noiselessly.

The silence almost is a sound, and dreams
Take on the semblances of finite things;
So potent is the spell that what but seems
Elsewhere, is lifted here on Fancy's wings.
The little woodland theatre seems to wait,
All tremulous with hope and wistful joy,
For something that is sure to come at last,
Some deep emotion, satisfying, great.
It grows a living presence, bold and shy,
Cradling the future in a glorious past.

The earth is a colored thing.
See the red clays, and the umbers and salt greasy of the mountains;
See the clustered and wandering greens of plains and hillsides,
The leaf-greens, bush-greens, water-plant and snow-greens
Of gardens and forests.
See the reds of flowers—hibiscus, poppy, geranium;
The rose-red of little flowers—may-flowers, primroses;
The harlequin shades of sweet-peas, orchids, pansies;
The madders, saffrons, chromes, of still waters,
The silver and star-blues, the wine-blues of seas and oceans.
Observe the stars at nighttime, name the color of them;
Count and recount the hues of clouds at sunset and at dawn.
And the colors of the races of men—
What are they?
And what are we?
We, the people without a race,
Without a language;
Of all races, and of none;
Of all tongues, and one imposed;
Of all traditions and all pasts,
With no tradition and no past.
A patchwork and an altar-piece,
Vague as sea-mist,
Myriad as forest-trees,
Living into a present,
Building a future.
Our color is the vari-colored world.
No colors clash,
All clash and change,
And, in changing, new colors come and go and dominate and remain,
And no one shall say which remain,
Since those that have vanished return,
And those no man has seen take the light and are.

Where else in all America are we so symbolized
As in this hall?
White columns polished like glass,
A dome and a dome,
A balcony and a balcony,
Stairs and the balustrades to them,
Yellow marble and red slabs of it,
All mounting, spearing, flying into color.
Color round the dome and up to it,
Color curving, kite-flying, to the second dome,
Light, dropping, pitching down upon the color,
Arrow-falling upon the glass-bright pillars,
Mingled colors spinning into a shape of white pillars,
Fusing, cooling, into balanced shafts of shrill and interthronging light.
This is America,
This vast, confused beauty,
This staring, restless speed of loveliness,
Mighty, overwhelming, crude, of all forms,
Making grandeur out of profusion,
Afraid of no incongruities,
Sublime in its audacity,
Bizarre breaker of moulds,
Laughing with strength,
Charging down on the past,
Glorious and conquering,
Destroyer, builder,
Invincible pith and marrow of the world,
An old world remaking,
Whirling into the no-world of all-colored light.